Breathing New Life into Ballet: The Petipa Heritage Foundation's Vision
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Dance Informa speaks with Tiana Meehan, the winner in the annual Energetiks Model Search, about her dance journey.
Dance Informa reviews Lucy Guerin's contemporary dance production of 'Flux Job' at Arts House Melbourne on 16 March 2022.
Dance Informa reviews 'Above Below', Willoughby Symphony Orchestra’s recent production with the collaboration with Legs on the Wall.
Bangarra has announced that dancers Above Belowi, Baden Hitchcock and Bradley Smith will depart the company.
Dance Informa reviews Emma Saunders' 'Radical Transparency', presented by FORM Dance Projects and the WE ARE HERE Company.
Australasian Dance Collective is taking its triple bill, 'THREE: Lister / Lane / Shechter' on tour from 10 May through 1 July.
This year's Sydney Eisteddfod will run from May to September 2022, and entries are now open through 21 March.
The 2022 March Dance festival has begun, with workshops, classes and performances taking place over the month.
Fashion photographer Jim Jordan has launched a new virtual dance competition, MetaStarz, with submissions open until March 18, 2022.
Series 3 of the Royal Academy of Dance's podcast, 'Why Dance Matters', will feature interviews with Kathryn Morgan, Darcey Bussell and more.
Dance Informa speaks with Lucinda Dunn OAM and Daniel Gaudiello about The McDonald College's fifth Elite Masterclass series.
HRH The Duchess of Cornwall formally opened the new Royal Academy of Dance global headquarters in London on 10 March.
Emerging dancer-choreographer Phaedra Brown will present 'Waiting Game' from 25 - 27 March as part of March Dance.
Dance Informa reviews the Sydney production of 'North by Northwest', directed by Simon Phillips, at the Sydney Lyric Theatre.
Dance Informa speaks with choreographer Jo Lloyd about her latest work, 'Handsome', which will be presented at The Substation in February.
Dance Informa looks at 5 ways dance translates to everyday life - balance, flexibility, coordination, communication and creativity.